16-19, May, 2002, The Experimental Theater of National TheaterIntegrating visual images is one of Shu-Fen Yao’s specialties and characteristics. In this performance, Shu-Fen Yao visualize the dance and, then, divided them into pieces. Collexted all the pieces, Shu-Fen Yao put them together again. It caused the abstract body language to be more solid. In addition, Shu-Fen Yao also reorganized a few abstract movements with daily life action. This confrontation gave the dancer more room to express. Part of the extemporary dance, it also outlined the energy release and body extension from the dancers.
The three paragraphs are focus on the topic of peep, and it happens in the complicated and mottled space, such as the hanging guns, graffiti, abstract images and so on. The disorder visual symbols are the viewing experiences of the modern city.
Lin, Yu-chin
- ChoreographerShu-Fen Yao, Zhi-Bin Lin, Yu-Chen Pan
- ProducerYa-Hong Xu
- Dancer
Zhi-bin Lin, Yu- Zhen Pan, Shu-Hao Yan, Xiao-Yan Fang, Hsiu-Ru Yang
- Narrative Space & Image CompositionYi-ru Huang, Tian-Hong Wang, Sheng-Fa Lin
- Music DesignHuan-Fu Yu
- Stage Manager Jie Wang
